I have to give in – as a music blogger, I should have known Lindsey Stirling way before 17th May 2024. On that day, I ran into the new single Evil Twin, which finally lead my Songs of the Week at that date. Evil Twin is also the opening track of her new album Duality, which has been released on 14th June 2024. I just had to have more of her and share my thoughts.
Lindsey Stirling – About The Artist
Lindsey Stirling was born on 21st September 1986 in Santa Ana in California. She is a world famous violinist. Her songs range from classical tracks like Beethoven interpretation to pop and rock songs. Apart from that, she is also active as a songwriter and dancer. Her self-titled debut album released in September 2012 was already a global success. It sold 300,000 units in Germany only, where the album peaked fourth in the (overall) album charts. The album even topped the US Dance Album Charts, the US Dance Album Chart and the overall charts in Austria.
Especially her following two albums, Shatter Me (2014) and Brave Enough (2016) were huge as well. They both made it to the Top 10 (non-genre specific) in the USA, Austria, Canada, Germany and Switzerland. Stirling’s last album release was Snow Waltz in 2022. Duality is already her seventh studio album. Her YouTube videos have overall been played some 3.5 billion times.
Lindsey Stirling – Duality – Track by Track
The twelve song album lasts 43 minutes:
1. Evil Twin
In general, I would name Duality being an instrumental album. However, quite some songs like Evil Twin also use vocals, for example as a background element. The opener comes with a nice dramatic plot. The violin is in focus, but also instruments, including string ones complete the sound. This leads to a hymnic, very atmospheric sound. Fantastic song.
2. Eye Of The Untold Her
The second song of the album, Eye Of The Untold Her, opens with a floating piano melody. However, Stirling and her guitar join in soon. The sound of this track feels more present, has majestic parts, which drop suddenly to change into playful small ditties. There is, of course, no need to discuss about the excellence of the violin play. The rhythmic parts lead to a nice pop touch.
3. Surrender
Surrender partially feels like a rock songs, guitars are also energizing the chours. On the other hand, the stanzas are fine and gentle and focus on Lindsey’s key instrument. There is truly Duality in this song. Later in the song, the atmospheric background vocals are coming back as well.
4. Serenity Found
This song is more on the atmospheric side. It feels melancholic, sad, but you also feel a bit lonely and lost while listening. This does not mean at all that I don’t like it. It is really a beauty, which also has a nice leverage of piano and violin sounds.
5. Untamed
With Untamed, the album becomes very energetic again. One key element of the song are the very present drums, which remind of big stage shows. Again, Lindsey Stirling presents a very versatile and entertaining song. Despite its rather short duration (three minutes roughly) the song does not feel random or chaotic. This underlines her excellent songwriting.
6. Purpose
Like in many songs of the album, the violin also here feels to take over a vocal role at the beginning. However, Stirling also works with real vocals and the violin turns into a playful melodic lead. A lovely way to leverage between classical and pop elements.
7. The Scarlett Queen
The Scarlett Queen is one of the songs with the most definitely classical music profile. The music could have been taken from a classical dance song or a similar work. However, the drumming give it a light, entertaining touch – even if you are typically not into that kind of music.
8. Inner Gold (feat. Royal & the Serpent)
Royal & the Serpent is the alter ego of Ryan Jillian Santiago, an American singer and songwriter. She is supporting Stirling as vocalist in Inner Gold, which has also been a single. The song feels very pop-ish, even though the violin stays very present. A very modern style, which works out really well.
9. Survive (feat. Walk Off The Earth)
Survive has two keys properties in common with the predecessor. It has been released before the album and it uses guest musicians. This time, the support comes from Canada from the indie-rock/pop band Walk Off The Earth. Again, the song is very modern and makes you dance to its vibes. The rhythm partially leans towards Latin American styles, the chorus, however, is a straight dancefloor track. Compared to Inner Gold, though, the violin is less present in this one.
10. Kintsugi
As far as I could find out, the song title refers to the Japanese name for gold compounds. Again, the Duality album presents a very modern track, which has a strong pop music touch.
11. Firefly Alley
The second last song of the album again comes with a present rhythm, but also feels dark, threatening in some parts of the song. However, there are also some rather fine parts in there, which lean towards folk music.
12. La Fees
Finally, Lindsey presents a very modern track, which also comes with some surprising themes. Just as if the US-American wants to state “Give Me a style or a genre and I turn it into a song of my world. Fascinating, but with extremely high quality.
Lindsey Stirling – Duality – Track by Track
Here is the album on Spotify:
Lindsey Stirling – Duality – Track by Track
I love country, hard rock, pop… Some of you might like the one of the other genre as well. Regardless what your favorite is (but especially if you root for pop), I absolutely recommend having a listen. Lindsey Stirling is genius and the album gave me a really entertaining time. If you are a master in what you are doing, you can do any song great in your world of music, I believe.
Favorite Song: La Fees
Lindsey Stirling – The Duality Tour 2024/25
In October and November 2024, Lindsey Stirling hosts a wide range of shows all over Europe. Here are the tour dates:
Fr 04.10.2024 | Oslo (Norway) – Spektrum | |
Sa 05.10.2024 | Stockholm (Sweden) – Annexe | |
Tu 08.10.2024 | Esch-sur-Alzette (Luxembourg) – Rockhal | |
We 09.10.2024 | Prague (Czechia) – O2 Universum | |
Th 10.10.2024 | Krakow (Poland) – Tauron Arena | |
Fr 11.10.2024 | Budapest (Hungary) – MVM Dome | |
Sa 12.10.2024 | Vienna (Austria) – Wiener Stadthalle | |
Mo 14.10.2024 | Amsterdam (Netherlands) – AFAS Live | |
We 16.10.2024 | Dusseldorf (Germany) – Mitsubishi Electric Halle | |
Th 17.10.2024 | Brussels (Belgium) – Forest National | |
Fr 18.10.2024 | Hamburg (Germany) – Barclays Arena | |
Sa 19.10.2024 | Berlin – Uber Arena | |
Mo 21.10.2024 | Zurich (Switzerland) – The Hall | |
Tu 22.10.2024 | Frankfurt (Germany) – Festhalle | |
Th 24.10.2024 | Nantes (France) – Zenith Metropole | |
Fr 25.10.2024 | Paris – Zenith Paris | |
Sa 26.10.2024 | Lyon – Halle Tony Garrier | |
Mo 28.10.2024 | Milan (Italy) – Arcimboldi Theater | |
Tu 29.10.2024 | Eckbolsheim (France) – Zenith de Strasbourg | |
Th 31.10.2024 | London (United Kingdom) – Royal Albert Hall | |
Sa 02.11.2024 | Dublin (Ireland) – The Helix | |
Mo 04.11.2024 | Manchester (United Kingdom) – O2 Apollo | |
Tu 05.11.2024 | Glasgow – Royal Concert Hall |
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